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(Crucially, experimental or playful songs like “Wild Honey Pie,” “Why Don’t We Do it in the Road?” et. It also serves to let the listener know they can expect the unexpected. And even though “Wild Honey Pie” isn’t ever going to top anyone’s list of their favorite Beatles songs, the flow from “Ob-La-Di Ob-La-Da” to “Wild Honey Pie” to “The Continuing Story of Bungalow Bill” is so weird and quirky, it works in a way that’s hard to put your finger on. Side one careens all over the place, from hard rockers like “Back in the U.S.S.R.” to ballads (“Dear Prudence”) to whatever the hell “Wild Honey Pie” is.
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The Beatles (AKA the “White Album”) offers up a good example of how variety can keep things interesting. But the key is, you want to introduce variety early on so people don’t get bored. Your best track might be a ballad and that might be how your album starts off. Typically, track three is where albums slow down, and What’s Going On is no exception: track three is the ballad “Flying High (In the Friendly Sky).” That doesn’t mean you have to do the same. No problem, they recorded an intro that begins in the same key as the hit and modulates up to the second song’s key. Track two: “What’s Happening Brother.” This song has the same vibe as the title track, but it’s in a different key.
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Track one: “What’s Going On.” Gaye leads with his hit. Long story short: it was finally released and became a big hit and Gordy told Gaye to record an album building off that song’s success. Berry Gordy hated it and refused to release it. Gaye recorded the title track to be released as a single.
#Millumin play music across sequences how to
Marvin Gaye’s What’s Going On offers up a great lesson in how to sequence an album. Look to your favorite albums for inspiration. If your objection to this is: “Hey, you just told us that a great album tells a story, but my best song isn’t the best way to begin that story,” yeah, I feel you, but here’s where you make an exception. People aren’t going to get to track number two if they’re not wowed by track number one. Don’t start with that cool, arty track you love but no one else seems to because you want to “set the mood.” Hit ‘em with your best shot, right off the bat. Look, unless you’re a well-established artist, you need to let listeners know straightaway why you are worth listening to. Everyone knows this, and yet so many up-and-coming artists ignore it. Whether you are planning your song sequence ahead of time or only after all your songs are recorded, you should know that you need to start off with your best song.
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Sometimes that means changing one song’s key so it’s not too distant from the song before it, sometimes that means adding an intro or outro that will better connect your songs. But if you do have the luxury, figuring out your sequencing before recording can make your album even stronger because you can change your songs to flow together better. And these tips will help you figure out how to best arrange those songs. Sometimes you record songs as they are written or whenever you get the chance and you decide to compile an album only when you have an album’s worth of songs already recorded. If you are planning to release an album’s worth of material, your best bet is to figure out your sequencing ahead of time - meaning, before you record your songs. With that goal in mind, here are some tips on how to sequence your songs to create your best possible album. When an album is sequenced well, the songs flow together in a way that make all the songs feel necessary, with each song building on the one that came before it and enhancing the one that comes next. Although a greatest-hits compilation is, by definition, packed with hits, a great album, thanks to sequencing, tells a story. Compare the experience of listening to a great album as opposed to a greatest-hits compilation. Even in this age of streaming, albums aren’t going away any time soon. Perfecting your song order when you sequence an album can mean the difference between a great artistic statement and a nice mixtape.